When working with an existing session that uses Auto Gain, simply disable and re-enable Auto Gain to get the new behavior. This now works as intended while preserving compatibility with existing saved sessions. For example, splitting a stereo band would double the auto gain effect.
Fixed a bug in the Auto Gain feature: it would not correctly compensate bands that are in per-channel mode (L/R or M/S). Added support for displaying the current EQ curve in Avid's S6 control surface. When soloing Low/High-Cut filters, the Q value now always stays the same, making it easier to just fine-tune the frequency. 
Improved solo mode for Bell and Notch filters to better isolate the frequency area of interest. Improved the piano display: you can now drag multiple selected curves in parallel, and double-clicking the piano display creates a new curve at this position. Mixing and mastering features Pro-Q 2 offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to the zero latency and unique Natural Phase modes, Mid/Side processing, variable stereo placement of EQ bands, an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.
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